Bouida Haruto, a hardcore otaku with no interest in 3D (real) women, once appreciated figures from afar, accepting that "if you get into them, there's no turning back." However, when Nona, a character he loved from an anime called "Girls→Planetary Investigation" had a figure of her released, he ended up purchasing it. And then that night, the figure of Nona somehow came to life, and a couple-like lifestyle between man and toy began. (Source: MU)

As part of a mysterious contract agreed upon by a goddess and his parents years ago, Makoto Misumi finds himself sent to another world to meet the goddess and become the hero. However, the deity deems Makoto to be "hideous," refusing to even lay eyes upon him and revokes his heroic title. Disdainfully giving him the ability to understand all languages except the human language as compensation, the goddess drives Makoto off to the farthest edges of the wasteland, far from human civilization. Due to the disparity between Earth and this new world, Makoto's inherent physical and magical capabilities awaken, making him extremely powerful. He meets various demihumans and mythical beings who all end up being captivated with his characteristics and join Makoto in building a new community where all of them can peacefully coexist. Nevertheless, despite this success, Makoto still yearns to meet fellow humans. In a world where the goddess herself has barred him from interacting with his kind, it is up to Makoto and his companions to fulfill his desire—and perhaps reform society along the way.

Second season of Tsuki ga Michibiku Isekai Douchuu.

Despite a rocky start to their relationship, second-year high school students Mao Tsuchiya and Hisashi Ootomo have managed to find a way to coexist in their dorm room for another year. The roommates swear to abide by three simple promises: Mao must refrain from outing Ootomo as gay and having a boyfriend; Ootomo, in turn, must not fall in love with Mao; and the two must respect each other's privacy when one of them "needs time to himself." While these are simple asks, the school's film club's new project suddenly puts them at risk. The club's short film for the year is a boys' love story between a class president and a delinquent—a role for which Ootomo is considered the perfect fit. As the principal photographer in charge of composing every scene, Mao oversees all of the intimate moments between the leads, and though he wishes he could deny it, his growing attraction to his roommate is affecting the movie's production. But as things start to intensify—both in the film and in his personal life—Mao is soon forced to confront these complex emotions head-on.